新中国画四大家

Introduction:

Origin and Development of New Traditional Chinese Painting

Lin Fengmian's ‘Woke up Only to Find Day Had Already Broken'

Lin Fengmian: Mutineer and Successor of Tradition

Ups and Downs: Lin Fengmian in Depression

Tireless Innovation: The Reformer Lin Fengmian

Art Education: Modern Art Preacher

Integrating Chinese and Western Ideas: "Fengmian Style"

Beyond Predecessors: Great Innovator in the World of New Chinese Painting

XU Beihong's ‘The Beautiful Shadow Shown Again'

Xu Beihong: Reformer of New Chinese Painting

Early Youth: Growing up in the Midst of a Tide of Rebellion against Traditional Chinese Painting

Studying in France: Introducer and Creator of Realism

Artistic Proselytizing in China: Realism Became the National Art Form

Politicization of Realism: Arts Became a Tool

Evaluation and Review: Promoters of New Chinese Painting

Wu Guanzhong's 'Excellent Painting Skills and Elegant Style'

Wu Guanzhong in Red Robes: A Radical Dancer and Performer

A Boy's Feelings: Small Childlike Pain

Life in the Academy of Art: Tearing Himself Away from the Chinese Paintings

Returning from France in Confusion: Wu Guanzhong's Artistic Introspection

The Sound of Times: Leader of the Modern Art

Modern Ink Wash Painting: Third Master of New Chinese Painting

Summary: Wu Guanzhong Passed Away in Red

Yu Zhixue's ‘Endless Effort to Learn'

Yu Zhixue: Great Pioneer of Ice and Snow Paintings

Son of Willow: Artistic Enlightenment Inspired by Nature

Tough Artistic Road: Dream Chaser outside the Tower of Ivory

Yu Zhixue's Passion for Ice and Snow: Creation of the New Chinese Painting Genealogy

Not only Fu Baoshi and Guan Shanyue, but also Yu Zhixue, were anxious about the world of ice and snow in North China appearing in their paintings.

Removal and Reconstruction: From Snow Paintings to Ice and Snow Landscape Paintings

Transcend Desolately Cold: Yu Zhixue's Aesthetic Pursuit of Ice and Snow Landscape Paintings

Create White Landscape: Draw a New Ice and Snow World

Postscript

《新中国画四大家(英文版)》站在“新中国画”全新的角度，详细阐述了新中国画四个代表人物的艺术生涯、创作风格及对中国画发展所作的贡献，旨在向国外读者介绍新中国画的发展历程及艺术成就。