贝克特小说中的时间难题

IntroductionChapter One： Beckett and the Time Aporias1.1 Proust ： Beckett's conception of the time aporias1.2 The "Real" Proust and Beckett's Proust1.3 Introduction of Schopenhauer and Bergson to ProustChapter Two： Murphy： Reinstatement of the Time Aporias2.1 The Shadow of Marcel： the little world2.2 The Time Cancer： the big world2.2.1 Rule of Habit and Voluntary Memory2.2.2 The Unidirectional Contrived Love in the big world2.3 Impossible Reconciliation Between the two Worlds2.3.1 The Possibility of Dichotomy2.3.2 Attempts at Reconciliation in the Novel2.3.3 The Futile Quest for the Involuntary Time2.4 Narrative Time Structure of Murphy2.4.1 The Holistic Narrative time： Narrative Determinism2.4.2 The Mixed-up Narrative as a Result of Different Time ExperienceChapter Three： Watt ： Time in its Pure Form3.1 The Working Mechanism of a Clock3.1.1 The Two Servants as Two Clock Hands3.1.2 The Fable of Clock Time in Knott's House3.1.3 The Reduction of Time to Figures3.1.4 Music and the Clock Time. Pure Form of Music3.2 The Clock out of Order3.2.1 Mr. Knott： The Absent Central Point of the Clock3.2.2 The Missing Substratum： the Persistent "Now"3.2.3 The Anti-music Feature of Music in the Novel3.3 The Clockwise Narrative Time3.3.1 The Reshaped Circle of a Clock3.3.2 Breakdown of the Narrative Time： No Configuration or Refiguration3.3.3 Threefold Narrative Structure： The Unauthentic NarratorChapter Four： Molloy： the Quest for the Origin of Time4.1 The Origin of Time4.1.1 Mother of all Mankind： the Goddess of Time4.1.2 The Quest for the Goddess of Time4.1.3 The Paradox of Life and Death in the Goddess of Time4.2 The fake Goddess in Lousse's house4.2.1 The "Goddess" Lousse4.2.2 A Replica of Knott's house4.2.3 Love in the Lousse's House4.3 Two Corresponding Failures： Molloy and Moran4.3.1 The son as the body： Unborn or Rebirth?4.3.2 Moran's Metamorphosis. to be Like Molloy4.4 Immemorial Expatiation： Back to the Narrative Past4.4.1 Narrative Time Of Moran's Narrative Part： Change in Narrative Experience4.4.2 Anti-narrative Time in Molloy's Narrative Part. the Mythological PresentChapter Five： Malone Dies： to Understand Time in Death5.1 Being-towards-Death5.1.1 Death and Time. to Synchronize Time in Death5.1.2 The Dying Malone5.2 Death and the Other5.2.1 Death as the Other to Time5.2.2 The Death of the Other5.2.3 The Death of the Other and My Own5.3 To die for the Other5.3.1 God as the Other5.3.2 The Ethical Responsibilities.. Patience and the Guilt of Survival5.4 Tension between Narrative Impatience and Narrative Patience5.4.1 Diachrony： the Parallel Structure of the One and the Other5.4.2 Narrative Patience vs. Narrative ImpatienceChapter Six. The Unnamable： Time as "the Between"6.1 Between Mahood and Worm6.1.1 Time Experience of Mahood6.1.2 Time Experience of Worm the Anti- Mahood6.1.3 The Unnamable Between Mahood and Worm6.2 Time as "the Between"6.2.1 The Relationship as "the Between" 6.2.2 Aporia as "the Between"： Questioning Awaiting no Answer6.3 The Narrative in "the Between"6.3.1 The Interior Monologue of the Voice： Solitary Narrating6.3.2 Narrating Leading NowhereConclusionWorks Cited

《贝克特小说中的时间难题》从贝克特小说中的时间难题入手分析，并结合分析布朗肖与贝克特两人在实际生活与小说作品中的交集，来阐述贝克特对于语言和时间观的接受，以及对于“虚无”和叙事死亡的悖论的理解。概括说来，时间和语言的变化在布朗肖和贝克特的作品中都经历了两个阶段，一是虚无化，一是死亡。经历了这两个阶段之后，故事中的“我”和讲故事的“我”都消失在叙事中。