跨文化的易卜生

1．Ibsen：A Contemporay Bangladeshi PlaywrightAhmed Ahsanuzzaman

2．Ibsen’S Compass：Points of Dread and DesireAnneCharlotte Hanes Harvey

3．On Peer Gynt：A Critical Review of the Annual Peer Gynt Performance in

Golaa，Gudbrandsdalen Astrid Sather

4．Norwegian Superman—or？What to think as a Norwegian when Ibsen has gone

global，with John Gabriel Borkman as example Benedikte Berntzen

5．A Doll's House and Kramer VS．Kramer：Objections to Family Law Bjarne Markussen

6．Some Observations on Ibsen’S The Wifd Duck Charles Kalish

7．Treading on New Ground：African Adaptations of“A Doll’S House”Cheela F K Chilala

8．From Self．10st to Self．realization—Ibsen’S Nora and Chinese Women’S

Quest for Modern Aimin Che？

9．Multi—receptions of Ibsenism in China.From Misinterpretation t0 Innovation

Liang Chen

10．Interculturalism in Theatre and the Chinese Performances of Ibsen Chengzhou He

11．Translating Ibsen in 2009：An Apology of Literality Cristina Gomez Baggethun

12. Discord and Harmony between Human and Nature： An Ecological Interpretation of

The Lady from the Sea Danni Dai

13. The Role of Women in the Reception of Ibsen in Finland in the 1880s and 1890s H. K. Riikonen

14. Intercultural Implications of A Doll's House ： Experiences with a Production of

Ibsen's Play in Mozambique Helge Rearming

15. Two Dissenting Voices： Harold Pinter's Mountain Language and Henrik Ibsen's A

Doll's House Ibrahim Yerebakan

16. Ibsen's "Master Builder"： A Church， a House， a Castle in the Air Janet Roberts

17. The Crisis in the Self and the Self in Times of Crisis Jasminka Markovska

18. The Theme of "Discussion"： Ibsen， Shaw and Ding Xilin Compared Jian Sun

19. Mapping Et dukkehjem Julie Holledge

20. Ibsen and Rabindranath Meeting Points Kazal Krishna Banerjee

21. Peer Gynt's Boundarycrossings： The Global Map of His Empirical and Mental Journeys

Knut Brynhildsvoll

22. Beyond the Tarantella： Revisualizing Pain and Pleasure in Henrik Ibsen's A Doll's

House Lau Leung Che， Miriam

23. The Interaction of Texts and Performances of Ibsen's Plays——Ibsen in the Drama

Teaching in Shanghai Theatre Academy Minghou Liu

24．Ibsen in the Globalized Society：Multiculturalism—or the L ack thereof—in Norwegian

Ibsen Performance Lixian Cheng

25．Reception of Ibsen in Latvia during the Soviet Occupation （1940—1991） Maija Burima

26．Postperestroyka Receptions in Staging Ibsen Margarita Odesskaya

27．Playbird or Featherbrain？ MayBrit AkerhoIt，

28．Translating Insen’S Byggmester Solness into Russian Olga D．Drobot

29．Singularly Bound：Henrik I bsen and Theatrical Survival Olivia Gu／2n

30．The Lady from the Sea：Emergence From Marine Unconscious to Awakened Living Rakesh

Mohan Sharma

31．Ibsen’S Enigma Variations：Re—imagining Intercultural Performance Research Rustom

Bharucha

32．The Use of Gun and the Myth of Freedom Sabiha Huq

33．“Political Orgies”：Ibsen’S Plays and Contemporary Bangladesh Shaft Ahmed

34．Nora in A Doll's House and Bangladesh Perspective Shah Mohammad Sahaul karim

35．Verfremdungseffekt in Mabou Mines Dollhouse Susan Mason

36. The Making of a World Dramatist： Ibsen and Det Norske Theater Tanya Thresher

37. Ibsen in Bengal （eastern India） ： Negotiating Difference Contemporary Bengali

Representations of When We Dead Awaken and The Wild Duck Tapati Gupta

38. Ibsen's Use of Holy Days： An Amalgam of Philosophy， Poetry and Religion Trausti Olafsson

39. Ibsen in Nigerian Theatre： Dramatic Arts Department， Obafemi Awolowo IleIfe， Osun

State as a Case Study Tunde Bakare

40. Globalizing Nora and Torvald：OyamO's A Selfish Sacrifice — in China？ Victor Castellani

41. Ibsen and Usigli. Two Creators of a National Theater Victor Grovas Hajj

42. Rethinking Ibsen's Multiple Influences on Modern Chinese Drama Yuli Wang

43. A Doll's House on Chinese Stage Lanlan Xie

44. Feminist Awakening and Selfdefinition A Comparative Study of Female Characters in

A Doll's House and Jin Ping Mei Rulan Ye

45. Toward a Rediscovery of Ibsen's National Historical Plays in China Xujia Zhou

Ibsen has remained a popular dramatist in China and he has made anotable contribution to China in the process of its modernity. He was one ofthe Western writers first introduced into China during the stormy years at thebeginning of the 20th century when China started to transform itself from afeudalistic nation into a modern one。