经典碑帖集字创作蓝本

【中堂】、【横卷】顾恺之《论画》· ·····················01顾恺之《魏晋胜流画赞》· ·················02顾恺之《画云台山记》· ··················03王维《山水诀》· ·····················04朱景玄《唐朝名画录》· ··················05朱景玄《唐朝名画录》· ··················06王维《山水论》· ·····················07王维《山水论》· ·····················08王维《山水论》· ·····················09张彦远《历代名画记》· ··················10张彦远《历代名画记》· ··················11张彦远《历代能画人名》· ·················12荆浩《笔法记》· ·····················13黄休复《益州名画录》· ··················14郭熙《林泉高致》· ····················15郭熙《林泉高致》· ····················16韩拙《山水纯全集》· ···················17韩拙《山水纯全集》· ···················18苏轼《书摩诘蓝田烟雨图》· ················19苏轼《跋宋汉杰画山》· ··················20米芾《画史》· ······················21米芾《画史》· ······················22米芾《画史》· ······················23米芾《画史》· ······················24米芾《画史》· ······················25赵孟頫《松雪论画二则》· ·················26赵孟頫《松雪论画》· ···················27汤垕《画论》· ······················28汤垕《画论二则》· ····················29黄公望《写山水诀》· ···················30倪瓒《云林论画》· ····················31王世贞《艺苑巵言论画》· ·················32孙鑛《月峰画跋》· ····················33孙鑛《月峰画跋》· ····················34恽寿平《南田画跋七则》· ·················35顾凝远《画引》· ·····················39顾凝远《画引》· ·····················40顾凝远《画引》· ·····················41董其昌《画旨》· ·····················42董其昌《画禅室随笔》· ··················43董其昌《画禅室随笔》· ··················44陈继儒《眉公论画》· ···················45陈继儒《眉公论画》· ···················46陈继儒《眉公论画》· ···················47李日华《竹懒论画》· ···················48唐志契《绘事微言》· ···················49唐志契《绘事微言》· ···················50恽寿平《南田画跋》· ···················51恽寿平《南田画跋》· ···················52恽寿平《南田画跋》· ···················53笪重光《画筌二则》· ···················54方薰《山静居画论二则》· ·················55董其昌《画旨四则》· ···················56【扇面】黄公望《写山水诀》· ···················58黄公望《写山水诀》· ···················59

临摹是书法学习中的重要手段，也是不可逾越的途径。从古至今，所以的书法大师都是以临摹的方式，站在前人的肩膀上而最终获得成就的。当然，临摹的最终目的还是创作。那么，我们如何创作？如何从临摹过渡到创作？基于此，我们特别策划了《经典碑帖集字创作蓝本》这套书，聘请国内一流学者和著名书家共同编撰，在文字内容上力求经典，在书法风格上力求和谐，同时兼顾形式的丰富多样。——胡紫桂《经典碑帖集字创作蓝本》以古代经典文选作品为内容，通过现代计算机技术，将历代经典碑帖行草范字集合在书法作品中，力求风格统一，行气流畅，章法形式多样，既可直接供书法爱好者临摹，又可为其书法创作提供借鉴，集书法与文学价值于一身。本册为草书历代书论选。