论玛莎·诺曼戏剧中的过去和记忆

Introduction

Chapter One

Repression to Reconciliation: Coming to Terms with the

Traumatic Past

1. Embodying the Traumatic Memories of Victimization in

Getting Out

2. Recalling the Traumatic Memory of Maternal Loss in

Traveler in the Dark

Chapter Two

Nostalgia to Disillusionment: Mourning the Wistful Past

1. Lamenting Loss of Marriage and Friendship in

Third and Oak

2. Mourning the Western Outlaw Era in The Holdup

3. Deromanticizing the Frontier Hero in Loving Daniel

Boone

Introduction

Chapter One

Repression to Reconciliation: Coming to Terms with the

Traumatic Past

1. Embodying the Traumatic Memories of Victimization in

Getting Out

2. Recalling the Traumatic Memory of Maternal Loss in

Traveler in the Dark

Chapter Two

Nostalgia to Disillusionment: Mourning the Wistful Past

1. Lamenting Loss of Marriage and Friendship in

Third and Oak

2. Mourning the Western Outlaw Era in The Holdup

3. Deromanticizing the Frontier Hero in Loving Daniel

Boone

Chapter Three

Avoidance to Confrontation: Making Sense of the Fictional Past .-

1. Unearthing a Past with No Self-control in 'night, Mother ..

2. Piercing the Net of the Imaginary Past in Trudy Blue ..

Conclusion

Works Cited

Postscript

玛莎·诺曼是当代美国戏剧界重要的剧作家，她的《晚安，母亲》('nightMother)一剧荣获1983年的普利策戏剧奖，后以音乐剧《秘密花园》(TheSecretGarden)获得了1992年的托尼奖。王莉编著的《论玛莎·诺曼戏剧中的过去和记忆》旨在对以往诺曼研究中忽视的一个普遍而又重要的主题“过去和记忆”，从戏剧呈现的角度入手，进行多方位的剖析，并比较在不同作品中的不同景象。本书既注重内容，也对戏剧呈现作了深入的挖掘，是一部富有独到见解的学术力作。