发光体

FOREWORD | Philip Tinari, director, UCCA

AS SEEN 2 | Introduction

Heman Chong | A Stack

Pak Sheung Chuen | The Horizon Placed at Home

Luo Dan | Simple Song

Li Ran | Mont Sainte-Victoire (and other points of reference)

Chen Zhen | Same Bed, Different Dreams

Gu Dexin | Important is not the Meat

Huang Ran | Disruptive Desires, Tranquility, and the Loss of Lucidity

Liao Guohe | Popular Painting

Zhang Hui | Groundless

Xie Fan | The Layers

Wang Du | Contemporary Art Museum of China

Xu Bing | Book from the Ground

Irrelevant Commission | Why We Do Useless Things? and Unrelated Parades

Ma Ke | Life Most Intense

Jiang Zhi | If This is a Man /

Yang Fudong | Close to the Sea / Revival of the Snake

Jiang Xiaochun |

Li Shurui | The Shelter / A Wall

Zhang Ding | Buddha Jumps over the Wall

Hu Xiangqian | Protagonist

Wang Sishun | Liminal Space

Hai Bo | Solo

Zhou Tao | Collector

Pei Li | Generation P

Li Dafang | Throw-back: Jin Zhan's Messy Growth, His Language and His Relatives

Wang Wei | A Wall on the Wall-A Floor on the Floor

Geng Jianyi | Wu Zhi

Chen Wei | A Forgettable Song / Xian City

Li Songsong | The One

Hu Yun | The Secret Garden / Reeves's Pheasant

Zheng Guogu | Spirits Linger With Dust

Liu Wei | By Order of the Artist: No Title Necessary

Utopia Group | Trudge: Geography of Utopia Group

Zhou Yilun | Our House by the Seashore

Hu Xiaoyuan | No Fruit at the Root

Cao Fei | Secret Tales from the Museum

INDEX OF EXHIBITIONS

ACKNOWLEDGEMENTS

As Seen is a series of publications that review the work of Chinese artists as presented in public museums and galleries in China. As Seen is not exhaustive, but it is the result of extensive exhibition-going. With particular focus on the achievements of young artists, As Seen 2 continues to track the pulse of the times as it underscores artistic content and form.