在流散空间凸现道德意识

IntroductionⅠ. Cynthia Ozick's Life and Literary CareerⅡ. Cynthia Ozick in the Critical ContextA. Cynthia Ozick Criticism in the United StatesB. Cynthia Ozick Studies in ChinaⅢ. The Theoretical Framework and Structure of the PresentStudyChapter One Contemporary Jewish American Fiction andJewishnessⅠ. Jewish American Literature as Part of ContemporaryAmericanLiteratureA. Jews and Jewish Culture in Multicultural AmericaB. The Shaping of Jewish American LiteratureⅡ. Contemporary Jewish American Fiction and JewishnessⅢ. Jewishness in Cynthia Ozick's FictionA. Ozick's Definition of JewishnessB. Jewishness in Ozick's Fiction

IntroductionⅠ. Cynthia Ozick's Life and Literary CareerⅡ. Cynthia Ozick in the Critical ContextA. Cynthia Ozick Criticism in the United StatesB. Cynthia Ozick Studies in ChinaⅢ. The Theoretical Framework and Structure of the PresentStudyChapter One Contemporary Jewish American Fiction andJewishnessⅠ. Jewish American Literature as Part of ContemporaryAmericanLiteratureA. Jews and Jewish Culture in Multicultural AmericaB. The Shaping of Jewish American LiteratureⅡ. Contemporary Jewish American Fiction and JewishnessⅢ. Jewishness in Cynthia Ozick's FictionA. Ozick's Definition of JewishnessB. Jewishness in Ozick's FictionChapter Two Jewishness and "Literature as Idol"Ⅰ. "A Jewish Writer": an OxymoronⅡ. Idolatry and ImaginationA. Heteroglossia in "The Pagan Rabbi"B. Polyphonic Narrative in "The Pagan Rabbi"Ⅲ. Idolatry and Language Wo hipA. Language's MeaningfulnessB. Language's Peril and DestructivenessC. Ozick's Corona: Reading in a Non-idolatrous MannerD. La 's RedemptionChapter Three Jewishness and History RepresentationⅠ. Fictional Co truction and Deco truction of JewishMemoriesA. Jewish Cultural CrisisB. Co truction and Deco truction of the Past in RuthPuttermesserⅡ. Midrashic Representation of the HolocaustA. Midrashic Mode, a Nonoppositional ApproachB. Midrashic Representation of Historicity and Figuration inTheShawlChapter Four Jewishness and Feminine RepresentationⅠ. Cynthia Ozick's Te ion as a Jewish Woman Writer inDiasporaA. Prejudice in Ozick's Educational and ProfessionalLifeB. Orthodox Judaic Gender Law Prohibiting WomenllC. The Negative Reception of Women's WritingⅡ. Female Protagonists and Orthodox Judaic Gender LawA. "Levitation": Marital OppressionB. "Puttermesser and Xanthippe": ProfessionalOppressionⅢ. Jewish Mothering in the HolocaustA. Mothering StereotypesB. Essentialism and Social Co tructionisrnC. Rosa in "The Shawl"Ⅳ. "Eros of Ideas": Feminist Mending of Orthodox JudaicGender LawA. "Eros of ideas"B. Imagination for the Female Protagonists: "Conjuring" and"Purifying"Chapter Five Jewishness and Literary NarrativeⅠ. Heteroglossia and Polyphonic NarrativeⅡ Metafictional Intrusion NarrativeⅢ. Writing Degree ZeroⅣ. IntertextualityA. AdaptationB. AllusionConclusionWorks CitedAcknowledgements!

《在流散空间凸现道德意识——论辛西娅·欧芝克小说中的犹太性》以欧芝克通过流散空间凸现道德意识从而在其小说中呈现出的犹太性为重点，关注她在流散背景下，消解其犹太人、女性和作家多重身份之间的对立的文学尝试。本书采用辩证视角，将历史、文化和理论研究与文本分析相结合，选取欧芝克的六篇小说——四篇短篇、一篇中篇、一篇长篇作为范本，代表其不同阶段、不同篇幅的小说创作。