出版社:北京大学出版社
年代:2012
定价:60.0
本书25万字左右,共诠释了150余个常用电影术语。此次出版为该书第三版,增加了动作片、艺术指导、大片等电影新近词汇。
第一版前言 ......001致 谢 ......002关键词英汉对照表 ......003关键词汉英对照表 ......008缺席/ 在场(ABSENCE/PRESENCE)......013动作片(ACTION MOVIES)......016改编(ADAPTATION)......024能动性(AGENCY)......030含混性(AMBIGUITY)......031变形镜头(ANAMORPHICLENS)......032动画片制作(ANIMATION)......033装置(APPARATUS)......041艺术电影(ART CINEMA)......042
第一版前言 ......001致 谢 ......002关键词英汉对照表 ......003关键词汉英对照表 ......008缺席/ 在场(ABSENCE/PRESENCE)......013动作片(ACTION MOVIES)......016改编(ADAPTATION)......024能动性(AGENCY)......030含混性(AMBIGUITY)......031变形镜头(ANAMORPHICLENS)......032动画片制作(ANIMATION)......033装置(APPARATUS)......041艺术电影(ART CINEMA)......042美术指导(ARTDIRECTION)......044长宽比(ASPECT RATIO)......045声画不同步/ 非同步声(ASYNCHRONIZATION/ASYNCHRONOUS SOUND)......046观众(AUDIENCE)......047电影作者/作者论/作者策略/电影手册(AUTEUR/AUTEUR THEORY/POLITIQUE DES AUTEURS/CAHIERS DU CIN?MA)......048先锋派(AVANT-GARDE)......056英国黑人电影(BLACK CINEMAUK)......059黑人电影/ 包括美国黑人剥削电影(BLACK CINEMA/INCLUDINGBLAXPLOITATION MOVIESUSA)......064大片(BLOCKBUSTERS)......082B 级片(B-MOVIES)......087宝莱坞(BOLLYWOOD)......087英国新浪潮(BRITISH NEW WAVE)......092兄弟电影(BUDDY FILMS)......095审查制度(CENSORSHIP)......096巴西新电影(CINEMA N?VO)......098002西尼玛斯科普(CINEMASCOPE)......100电影摄影师/ 摄影指导(CINEMATOGRAPHER/DIRECTOR OFPHOTOGRAPHY)......101真实电影(CIN?MA V?RIT?)......102阶级(CLASS)......103古典好莱坞电影/ 古典叙事电影(CLASSICAL HOLLYWOODCINEMA / CLASSICALNARRATIVE CINEMA)......108符码和惯例/ 经典(CODES ANDCONVENTIONS/CLASSICALCANONS)......112色彩(COLOUR)......113喜剧(COMEDY)......118连续性剪辑(CONTINUITYEDITING)......120古装剧(COSTUME DRAMAS)......121反电影(COUNTER-CINEMA/OPPOSITIONAL CINEMA)......122交叉剪辑(CROSS-CUTTING)......124切(CUT)......124日光夜景(DAY FOR NIGHT)......127解构(DECONSTRUCTION)......127深焦/ 景深(DEEP FOCUS/DEPTH OF FIELD)......128外延/ 内涵(DENOTATION/CONNOTATION)......130叙境/ 叙境的/ 非叙境的/ 外叙境的和内叙境的(DIEGESIS/DIEGETIC/NON-DIEGETIC/EXTRA-AND INTER-DIEGETIC)......131导演(DIRECTOR)......134话语(DISCOURSE)......134溶/ 叠化(DISSOLVE/LAPDISSOLVE)......136间离(DISTANCIATION)......136纪录片(DOCUMENTARY)......137主导/ 主流电影(DOMINANT/MAINSTREAM CINEMA)......141剪辑/ 苏联蒙太奇(EDITING/SOVIET MONTAGE)......142省略(ELLIPSIS)......146象征性镜头(EMBLEMATIC SHOT)......147表述(ENUNCIATION)......148史诗片(EPICS)......153目录003民族志电影/ 凝视(ETHNOGRAPHICFILM/GAZE)......155欧洲电影(EUROPEANCINEMA)......156过度(EXCESS)......158剥削电影(EXPLOITATIONMOVIES)......159视线匹配(EYELINE MATCHING)......165淡入/ 淡出(FADE)......165幻想/ 幻想片(FANTASY/FANTASY FILMS)......166女性化装(FEMALEMASQUERADE)......170女性主义电影理论(FEMINISTFILM THEORY)......172黑色电影(FILM NOIR)......188闪回(FLASHBACK)......194前景化(FOREGROUNDING)......202取景(FRAMING)......204自由电影(英国)(FREECINEMA[BRITAIN])......204法国新浪潮(FRENCH NEWWAVE/NOUVELLE VAGUE)......208法国诗意现实主义(FRENCHPOETIC REALISM)......214未来主义(FUTURISM)......216匪徒片(GANGSTER FILMS)......217凝视/ 观看(GAZE/ LOOK)......220性别(GENDER)......224类型/ 亚类型(GENRE/SUBGENRE)......230德国表现主义(GERMANEXPRESSIONISM)......238德国/ 新德国电影(GERMANY/NEW GERMAN CINEMA)......245海斯法典(HAYS CODE)......251霸权( HEGEMONY)......251历史片/ 重构(HISTORICALFILMS/RECONSTRUCTIONS)......252好莱坞(HOLLYWOOD)......253好莱坞黑名单(HOLLYWOODBLACKLIST)......254恐怖片/ 哥特式恐怖片/ 汉默恐怖片/ 恐怖惊悚片/ 身体恐怖片/ 吸血鬼电影(HORROR/GOTHICHORROR/HAMMER HORROR/HORROR THRILLER/BODYHORROR/VAMPIREMOVIES)......254肖像学(ICONOGRAPHY)......263意识形态(IDEOLOGY)......264影像(IMAGE)......267想象界/ 象征界(IMAGINARY/目录004SYMBOLIC)......268美国独立电影(INDEPENDENTAMERICAN CINEMA)......272独立电影(INDEPENDENTCINEMA)......275互文性(INTERTEXUALITY)......276意大利新现实主义(ITALIANNEO-REALISM)......277跳切(JUMP CUT)......280布光/ 灯光(LIGHTING)......281媒介化/ 中介(MEDIATION)......287情节剧和女人电影(MELODRAMAAND WOMEN’S FILMS)......287元语言(METALANGUAGE)......301方法派表演(METHODACTING)......302转喻/ 隐喻(METONYMY/METAPHOR)......302套层结构(MISE-EN-AB?ME)......305场面调度(MISE-EN-SC?NE)......306现代主义(MODERNISM)......307动机(MOTIVATION)......317音乐(MUSIC)......318歌舞片(MUSICAL)......322神话(MYTH)......338叙事/ 叙述(NARRATIVE/NARRATION)......339自然主义(NATURALISM)......342自然化(NATURALIZING)......343俄狄浦斯轨迹(OEDIPALTRAJECTORY)......344180 度准则(180-DEGREERULE)......347色情电影(PORNOGRAPHY)......347后殖民理论(POSTCOLONIALTHEORY)......351后现代主义(POSTMODERNISM)......359偏好式解读(PREFERREDREADING)......371制片人(PRODUCER)......371精神分析(PSYCHOANALYSIS)......372酷儿电影(QUEER CINEMA)......391现实主义(REALISM)......397公路片(ROAD MOVIE)......399科幻电影(SCIENCE-FICTIONFILMS)......400视淫/ 观视欲望/ 视觉快感(SCOPOPHILIA/SCOPIC DRIVE/VISUAL PLEASURE)......408符号学/ 符号和意指(SEMIOLOGY/SEMIOTICS/SIGNAND SIGNIFICATION)......410段落划分/ 段落(SEQUENCING/SEQUENCE)......414目录005场景(SETTING)......415性欲(SEXUALITY)......416正/ 反角镜头(SHOT/REVERSEANGLESHOT)......421镜头(SHOTS)......422社会现实主义(SOCIAL REALISM)......425声音/ 声轨(SOUND/SOUNDTRACK)......426苏联电影/ 学派(SOVIETCINEMA/SCHOOL)......429时空/ 时空连续体(SPACEAND TIME/ SPATIALAND TEMPORALCONTIGUITY)......437观影者/ 观影者认同/ 女性观影者(SPECTATOR/SPECTATORIDENTIFICATION/FEMALESPECTATOR)......438明星/ 明星制/ 明星作为资本价值/明星作为建构/ 明星作为越轨者/ 明星作为文化价值:符号和物恋/ 对明星的凝视和表演(STARS/STARSYSTEM/STAR AS CAPITALVALUE/STAR AS CONSTRUCT/STAR AS DEVIANT/STAR ASCULTURAL VALUE :SIGN ANDFETISH/STARGAZING ANDPERFORMANCE)......444刻板类型(STEREOTYPE)......455结构主义/ 后结构主义(STRUCTUAL/POSTSTRUCTUAL)......457制片厂制度(STUDIO SYSTEM)......460主体/ 客体(SUBJECT/OBJECT)......475主体/ 主体性(SUBJECT/SUBJECTIVITY)......475主观镜头(SUBJECTIVE CAMERA)......478超现实主义(SURREALISM)......479缝合(SUTURE)......479理论(THEORY)......486第三电影(THIRD CINEMA)......490第三世界电影(THIRD WORLDCINEMAS)......49930 度准则(30-DEGREE RULE)......558惊悚片和心理惊悚片(THRILLER/PSYCHOGICALTHRILLER)......559推轨镜头(TRACKING SHOT/TRAVELLING SHOT/ DOLLYINGSHOT)......562透明性/透明度(TRANSPARENCY/目录006TRANSPARENCE)......562地下电影(UNDERGROUNDCINEMA)......563不匹配镜头(UNMATCHEDSHOTS)......564垂直整合(VERTICALINTEGRATION)......565窥视癖/ 恋物癖(VOYEURISM/FITISHISM)......565战争电影(WAR FILMS)......567西部片(WESTERNS)......585宽银幕(WIDESCREEN)......599划(WIPE)......600变焦镜头(ZOOM)......600参考文献 ......602
如果说电影学的概念异常丰富庞杂,初来乍到者恍若步入古希腊神话中克里特岛的迷宫,那么《电影研究关键词(培文电影)》(作者苏珊·海沃德)则是那根导引路径的丝线,近二百个词条涵盖了类型片、电影运动、电影理论和电影制作等方面的各项术语,全面而权威。《电影研究关键词(培文电影)》词条按英文词序排序,为方便中文读者,正文前还提供了汉英对照表。读者可据中文术语名查出对应的英文单词,再在正文中找到相关词条。
电影学研究必备工具书