当代美国戏剧的多样性

“导师评语”代序

中文摘要

Acknowledgements

Abstract

Introduction

Chapter One Language and Power in the Plays of David Mamet

Ⅰ.Speakin9，Manipulatin9，and Selling in Business—Glengarry GlenRoss

Ⅱ.Language，Power,and Understanding in Academia——0leanna

Chapter Two Language and Self in the Plays of Marsha Norman

Ⅰ.The Impossibility of Getting Out in Silence—Getting Out

Ⅱ.A Silent Woman Getting Out一切动t Mother

Chapter Three Language and Ethnic Identity in the Plays ofFrankChin

Ⅰ.The Revolt and Disillusionment of a Linguistic OIphanTheChickencoop Chinaman

Ⅱ.The Predicament of a Loudmouthed Chinese American SonThe Yearofthe Dragonl

Conclusion

Works Cited

后记

本书深入分析了白人剧作家大卫·马梅特、女性剧作家玛莎·诺曼和华裔剧作家赵健剧作中语言的社会功能、语言与自我的丧失与重构以及语言与族裔认同之间的关系。