维多利亚小说的资本、文化与性别研究

Acknowledgements

Abbreviations

Introduction

“A Revolution in Female Manners”: Capital,Culture

and Gender in the Victorian Novel

Chapter One Body Politics and Marriage Redeemed:Spaces

of Capital in Mary Barton (1848), North

and South (1855), and Shirley (1849)

Helen，Cenci，and Frankenstein in Mary Barton

North and South：A Heroine“Walking in the City”

Spaces of Utopia in Shirley

Chapter Two

“Between Two Worlds”: Mediating Between

Culture and Capital in Felix Holt (1866)

and Middlemarch (1872)

Acknowledgements

Abbreviations

Introduction

“A Revolution in Female Manners”: Capital,Culture

and Gender in the Victorian Novel

Chapter One Body Politics and Marriage Redeemed:Spaces

of Capital in Mary Barton (1848), North

and South (1855), and Shirley (1849)

Helen，Cenci，and Frankenstein in Mary Barton

North and South：A Heroine“Walking in the City”

Spaces of Utopia in Shirley

Chapter Two

“Between Two Worlds”: Mediating Between

Culture and Capital in Felix Holt (1866)

and Middlemarch (1872)

Capitalist Totality and Material Culture

The Man 0f Culture as the Ideal Husband

“Address to Middle-Class Women，bv George Eliot”

The Companionate Marriage as the

Consummation ofAcCUIturation

Chapter Three Marriage and Its Discontents: Invading

Capital and the Failure of National Culture

in The Return of the Native (1878) and

Jude the Obscure (1895)

Capitalist Colonization in Wessex and the

Hegemony of Capitalist Patriarchy

Dreams and Commodities：The Bankruptcy

of Arnoldian Culture in Wessex

The Return or the Native：The Heroine and the

Capitalist Contract

Marriage and／as Work：The Dissolution of Marriage

in Jude the Obscure

Coda

Reading Credit and Colony as Alternative Spaces

ofEngenderment in Vanity Fair(1848)

Notes

Wvrks Cited

《维多利亚小说的资本、文化与性别研究》以卢卡契批判资本主义的社会整体论为支点，结合女权主义理论，试图勾勒出在维多利亚中晚期小说中，资本主义的经济扩展和空间征服对女性性别的建构所产生的影响如何呈现出"不平衡"的发展轨迹，并归纳出维多利亚小说中的"女英雄"现象。论述重心在欧美英语学界惯用的阶级、性别、种族的基础上引入了近年来日渐重要的"空间"维度，并将种族的概念上升到"国家文化"的高度，从而使得维多利亚小说的性别分析和资本主义全球化进程以及19世纪英国文化史形成应有的互动。
　　这一强调资本、文化和性别研究的互动理念不仅在国内英美文学研究中尚属首次，而且由于国外目前的维多利亚文学的女性主义研究或者文化研究中普遍存在着轻视马克思主义批判资本主义的分析和应用，因此本书在一定程度上对国际维多利亚研究学界发出了中国学者自己的理论视角的声音。

这一强调资本、文化和性别研究的互动理念不仅在国内英美文学研究中尚属首次，而且由于国外目前的维多利亚文学的女性主义研究或者文化研究中普遍存在着轻视马克思主义批判资本主义的分析和应用，因此，《维多利亚小说的资本、文化与性别研究》在一定程度上对国际维多利亚研究学界发出了中国学者自己的理论视角的声音。