中国诗学的精神

Foreword

ChapterIAManifoldExpectationofPoetry

1.PoetryasaSocialDiscourse

2.PoetryasanAestheticDiscourse

2.1PoeticXing

2.2PoeticGuan

2.3PoeticQun

2.4PoeticYuan

3.PoetryasaMoralDiscourse

Chapter2ConfuciusandPlatoonMusic

1.PsychicalEffectofMusic

2.AestheticValueofMusic

3.MoralFunctionofMusic

4.PoliticalExpectationofMusic

5.PedagogicalWorthofMusic

6.AComparativeRemark

Chapter3ADebateontheFunctionsofMusic

1.AgainstMusic:MozisNegativeUtilitarianism

2.ForMusic:XunzisPositiveUtilitarianism

3.AReconsiderationoftheOpposingViews

Chapter4ACriticalilluminationofPoeticStyles

1.TheLiteraryDevelopment:FormandStyle

1.1TheInstitutionalFactor

1.2TheFashionImpact

1.3ThePoliticalElement

1.4GroupDynamics

1.5Historico-culturalContext

1.6ArtisticIndividuality

2.ArtisticCreation:ProperInclusiveness

andHolisticVision

3.StylisticParadigms:Naturalness,

GracefulnessandElegance

3.1NaturalnessasBeauty

3.2GracefulnessandElegance

Chapter5AMoralisticViewofPoetry

1.ConformitytotheMoralPrincipleapriori

2.ABi-polarizedTreatmentoftheGuofeng

3.SecondReflection

on"HavingNoDepravedThoughts"

Chapter6PoeticWisdominZenEnlightenment

1.RevelationfromNaturalScenes

2.NaturalSpontaneityasaPsychicalPath

3.APoeticWayofZenEnlightenment

3.1GradualEnlightenment

3.2SuddenEnlightenment

4.TheRealmofSunyataasBeauty

Chapter7AestheticCriticismofTransculturality

1.BeyondEastandWest:

AnTransculturalTransformation

2.AestheticEducationasaCriticalNecessity

(MeiyuShuo)

3.ArtasaRefugefromSuffering(JietuoShuo)

4.ArtasAestheticPlayforFreedom(YouxiShuo)

5.TheArtistasCreativeGenius(TiancaiShuo)

6.TheRefinedastheSecondForm(GuyaShuo)

7.TheTheoryofPoeticStateparExcellence

(JingjieShuo)

7.1TheCreativeStateversustheDescriptiveState

7.2TheStateofSelf-involvementversus

theStateofSelf-detachment

7.3TheGreatPoeticStateandtheMinorPoeticState

7.4TheVeiledandtheNon-veiled

Chapter8ASublimePoeticsofMiraticType

1.HistoricalSignificanceinPerspective

2.TheMftraticSchoolandtheM~traAllegory

2.1TheBasicFeaturesoftheMaraticSchool

2.2TheMulti-implicationsofMhra

3.DismantlingtheOldWhileEstablishingtheNew

3.1ANewNotionofCulture

3.2ANewConceptionofLiteratureandArt

3.3ANewTypeofAesthetics

3.4ANewModeofLiteraryCriticism

andPoeticCultivation

4.Summary

Afterword

Appendix

KeyReferences

Index

Acknowledgements

　　本书由8个章节组成，内容上特色突出，其核心主题是对中国诗歌构建过程的关注，包括了孔子等中国先哲对诗歌的影响的贡献，古代中国与希腊诗歌的比较，关于诗歌风格的争辩，王国维对中国诗歌的改造方面。内容几乎涉及到了中国传统诗歌在构建过程中所涉及到的各个领域。【作者简介】　　WangKeping(KepingWang,b.1955)receivedhisM.A.fromtheUniversityofCanberraandhisPh.D.fromBeijingNormalUniversity.HeisaresearchfellowoftheInstituteofPhilosophy,ChineseAcademyofSocialSciences,andprofessorattheBeijingInternationalStudiesUniversity.HeisaholderoftheBritishAcademyK.C.WongFellowship(2000),visitingfellowofSt.AnnesCollege,UniversityofOxford,andanhonorarymemberofOlympicCenterforPhilosophyandCulture,UniversityofAthens.HeisaboardmemberofInternationalSocietyforUniversalDialogue(ISUD),andanExecutiveCommitteememberofChineseSocietyforAesthetics(CSA).HismajorpublicationsincludePlatosPoeticsintheRepublic;ChinesePhilosophyonLife;TowardsaTransculturalAesthetics;TheClassicoftheDao:ANewInvestigation;EssaysonSino-OccidentalAestheticCultures;AestheticTraveling;SightseeingasanAestheticActivity;ExperiencingEnglishthroughPoetry.TwoofhisbookswereawardedBeijingMunicipalPrizein2004and2006respectively.