中西绘画比较

Preface

ChapterI:TheExpressionofIndividualitiesandPsychologicalSelfComfort

TheComparisonofHistoricalRolesbetweenChineseandWesternPaintings.

TheCarrierforRecordsofHumanEventsinEarlyTimes-RockandCavePaintings

PotteryDecorationandDecorationsonOtherWares

PaintingswithReligiousThemes

WesternPaintingsfromtheAltartoaMansWorld

ChinesePaintingsofPropaganda,EducationandSympathy

ChapterIITheDirectnessoftheHuntingStyleandtheRestraintoftheFarmingStyle

AComparisonofEmotionsbetweenChineseandWesternPaintings.

DirectnessandRestraint

SenseandSensibility

ObjectiveandSubjective

RestrictionandOpening

ChapterIIIExpressinaFlatWayandPlaceFeelingsontheLandscape

AComparisonoftheTendencyinThemesbetweenChineseandWesternPaintings

DifferentExpressiveWaysonSameThemes

NarrativeandLandscapePaintings

ChapterIV:ColoursandInks

AComparisonofColourConceptsandUsagebetweenChineseandWesternPaintings

ColoursandInksinLandscapes

ColourTaboosinPainting

Five-colourInks

ChapterV:Rich-colourPaintingandLightWater-inkPainting

ArisonofSkillsbetweenChineseandWesternPaintings

FocusandScattered-pointsPerspective

SurfaceandLine

AdditionandSubtraction

Abstraction,GeneralizationandRepresentation

PartsandtheWhole

ChapterVlDialecticsbetweenMotionandRest

ComparisonofRepresentationalFormsbetweenChineseandWesternPaintinqs

MotionandRestinPaintings

MotionandRestinRepresentationalMethodsofPainting

Appendix:ABriefIntroductiontoChineseandWesternPaintingMaterials

　　中国绘画与西方绘画各自涵盖的内容均十分广泛。本书的写作目的就是透过中国传统绘画与西方绘画的对比，帮助大家更好地了解中国绘画以及中国绘画背后所蕴含的文化内涵。限于篇幅，本书将比较的范围限定在19世纪及以前的中国传统绘画与欧洲绘画。西方绘画与中国传统绘画最根本的区别在于聚焦透视与散点透视，本书就以中国人的散点透视法，将两种绘画进行散点式的对比。【作者简介】　　吴菁，女，汉族，北京市人，1989年毕业于中央工艺美术学院(现清华大学美术学院)史论系。现就职于北京工业大学艺术设计学院，副教授。曾有多篇文章刊载于《人民日报(海外版)》；参与编写的《中国传统手工艺金银细金工艺与景泰蓝》获“首届中华优秀出版物(图书)奖”。