出版社:厦门大学出版社
年代:2010
定价:16.0
本书重点分析诺贝尔文学奖得主美国非裔女作家托妮·莫里森的历史三部曲,探讨莫里森对非裔美国人身份建构所做探索,旨在揭示莫里森对美国黑人文学发展的贡献,对美国文化改造与传承的参与,并从其创作实践中汲取有益启示:在体现“文化差异”特征的后殖民、后现代社会中,弱势族群如何协商可行身份,少数族裔和离散作家如何应对双重乃至多重意识的窘迫现实。
序前言Introduction/1 Ⅰ. Biographical and Critical Contexts of Toni Morrison's Literary Texts/2 Ⅱ. The Guiding Principle and Structure of This Book/18Chapter One The Concept of Identity and Its Significance in African American Literary Works/24 Ⅰ. The Concept of Identity and Identity-Building/24 Ⅱ. The Quest for Identity in African American Literature/35 Ⅲ. The Quest for Identity in Toni Morrison's Works/47Chapter Two Identity-Building through "Rememory" of the Unspoken History in Beloved/53 Ⅰ. Objectification and Othering of Black People in Slavery Discourse/55 Ⅱ. Black (Ex-) Slaves' Counter-Discourse in "Claiming Ownership of that Freed Self" /65 Ⅲ. Beloved as a Trope of Identity-Building for African Americans/77Chapter Three Identity-Building through Jazzified Musical/Narrative Discourse in Jazz/85 Ⅰ. Fragmented S.tories of Displaced People: Profound Cultural Dislocations the Great Migration Entailed/86
序前言Introduction/1 Ⅰ. Biographical and Critical Contexts of Toni Morrison's Literary Texts/2 Ⅱ. The Guiding Principle and Structure of This Book/18Chapter One The Concept of Identity and Its Significance in African American Literary Works/24 Ⅰ. The Concept of Identity and Identity-Building/24 Ⅱ. The Quest for Identity in African American Literature/35 Ⅲ. The Quest for Identity in Toni Morrison's Works/47Chapter Two Identity-Building through "Rememory" of the Unspoken History in Beloved/53 Ⅰ. Objectification and Othering of Black People in Slavery Discourse/55 Ⅱ. Black (Ex-) Slaves' Counter-Discourse in "Claiming Ownership of that Freed Self" /65 Ⅲ. Beloved as a Trope of Identity-Building for African Americans/77Chapter Three Identity-Building through Jazzified Musical/Narrative Discourse in Jazz/85 Ⅰ. Fragmented S.tories of Displaced People: Profound Cultural Dislocations the Great Migration Entailed/86 Ⅱ. Jazzified Negotiations of Identity/99Chapter Four Identity-Building through Cultural Hybridity in Paradise/114 Ⅰ. Paradise: a Critique of Essentialism and Manichaeism in Communal Historiography and Identity-Building/114 Ⅱ. Paradise: Towards Building a Hybrid Identity/127 Ⅲ. Reimagining Paradise/138Chapter Five Toni Morrison's Identity-Building as an African American Woman Writer/142 Ⅰ. Toni Morrison's Racial Identity/143 Ⅱ. Toni Morrison's Gendered Identity/145 Ⅲ. Toni Morrison's Aesthetic Identity/147Conclusion/155 Ⅰ. From Being Imagined "Other" to Being "Choices": Toni Morrison's Identity-Building for African American People/155 Ⅱ. Toni Morrison's Exploration of the Relationship between Identity-Building and Rememory, History, and Storytelling/158 Ⅲ. Toni Morrison's Liminality/159 Ⅳ. Toni Morrison's Paradoxical Authoritative Position in the American Literary and Cultural World/162Works Cited/165 Primary Sources/165 Secondary Sources/168Acknowledgements/180
本书以托妮·莫里森的代表作——历史三部曲《宠儿》、《爵士乐》、《天堂》为中心,联系莫里森的其他作品,系统地探讨莫里森重访历史、关注文化协商、指向混杂化,不懈地探索非裔美国人从个体的身份重建到群体和国族身份重建的文化身份建构,具有较高的学术价值和现实意义。
书籍详细信息 | |||
书名 | 托妮·莫里森《宠儿》、《爵士乐》、《天堂》三部曲中的身份建构站内查询相似图书 | ||
丛书名 | 美国后现代小说论丛 | ||
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出版地 | 厦门 | 出版单位 | 厦门大学出版社 |
版次 | 1版 | 印次 | 1 |
定价(元) | 16.0 | 语种 | 简体中文 |
尺寸 | 19 × 0 | 装帧 | 平装 |
页数 | 印数 |
托妮·莫里森《宠儿》、《爵士乐》、《天堂》三部曲中的身份建构是厦门大学出版社于2008.4出版的中图分类号为 I712.074 的主题关于 莫里森,T.-小说-文学研究 的书籍。