素描基础教程

第一章 石膏像概述··················································1

1.素描石膏像·······················································1

2.石膏像的重要性·················································1

3.石膏像写生的基本要求·······································1

4.画石膏像的意义················································1

第二章 石膏五官的画法············································2

1.石膏像五官概述················································2

2.石膏眼睛的画法················································2

3.石膏嘴巴的画法················································4

4.石膏耳朵的画法················································6

5.石膏眼睛的画法················································8

6.石膏耳朵的画法···············································10

7.石膏鼻子的画法···············································12

第三章 石膏挂像的画法··········································14

1.贝多芬切面的画法···········································14

2.石膏头骨的画法··············································16

3.亚历山大切面像的画法·····································18

4.阿格里巴切面像的画法·····································20

5.贝多芬面像的画法···········································22

6.维纳斯挂相的画法···········································24

7.亚历山大面相的画法········································26

8.劳孔头像的画法··············································28

第四章 石膏头像的画法··········································30

1.战神头像的画法··············································30

2.维纳斯侧面头像的画法·····································32

3.高尔基头像的画法···········································34

4.青年头像的画法··············································36

5.格达密纳塔头像的画法····································38

6.毛奇头像的画法·············································40

7.罗马少女头像的画法·······································42

第五章 石膏胸像··················································44

1.石膏男孩像的画法··········································44

2.阿格里巴侧面的画法·······································46

3.小卫的画法···················································48

4.阿格里巴的画法·············································50

5.米开朗基罗的画法··········································52

6.阿格里巴的画法·············································54

7.伏尔泰的画法················································56

8.海盗的画法···················································58

9.荷马的画法···················································60

10.维纳斯的画法··············································62

第六章 石膏半身像···············································64

1.石膏像半身像画法··········································64

2.少女躯干的画法·············································64

3.肌肉躯干的画法·············································66

4.劳孔半身像的画法··········································68

第七章 素描静物作品范例······································70

素描石膏像写生在素描基础训练当中有着极为重要的意义。素描石膏像是初学者认识和掌握对象的一个好方法。初学者在石膏像的学习训练阶段中，可以不受环境、时间的限制，从不同侧面、不同角度较为固定地给初学者以长时间观察、分析、表现对象的条件。石膏像以其特有的单纯白色，在固定光线下，产生“黑、白、灰”明暗关系，为初学者观察整体、塑造体积、表现对象提供了极好条件。素描石膏像可以为学好素描人物打下扎实的基本功。同时，它还可以帮助初学者掌握解剖知识、肌肉的结构与转折关系，从而进一步学习素描人物。本书选用常见的石膏像，分别介绍了石膏像写生的重要性，石膏五官的画法，石膏挂像的画法、石膏头像的画法、和石膏胸像的画法以及石膏半身像的画法，通过对石膏像深入的描绘，详细展示了石膏像素描训练过程中的基本流程、作画方法及要点。该书作品精美、图画规范，结构清晰，实例丰富，分析讲解透彻、实例针对较强，旨在帮助读者提高读者的石膏像写生能力和造型能力。本书实例针对较强，本书紧扣“基础”和“实用”两大基点，是美术爱好者学习素描石膏像的入门教材，同时也可以作为美术相关专业的教材，以及准备跨入艺术院校的学生学习使用。

本书是一本系统介绍石膏像的基础教程。是张恒国老师素描基础教程畅销书的升级版。全书内容丰富，结构安排合理，通过大量的案例，分步骤介绍石膏像的知识、技法。紧扣“基础”和“实用”两大基础点，是学习美术过程中的必备教材。