破除魔咒

Acknowledgements Abstract Introduction Chapter One From Body to Subject in the Rewriting of the Fairy Tale I. Rewriting A. Rewriting and Intertextuality B. Postmodernist Pastiche vs. Postmodernist Parody C. Modernist Parody vs. Postmodernist Parody D. Carter's Rewriting--a Postmodernist Parody II. The Fairy Tale A. Carter's Inclusive Definition of the Fairy Tale B. Fairy Tale as a Multi-layered Discourse C. Carter's Fairy Tale--a Feminist Discourse III. Subject A. Definition of Subject

Acknowledgements Abstract Introduction Chapter One From Body to Subject in the Rewriting of the Fairy Tale I. Rewriting A. Rewriting and Intertextuality B. Postmodernist Pastiche vs. Postmodernist Parody C. Modernist Parody vs. Postmodernist Parody D. Carter's Rewriting--a Postmodernist Parody II. The Fairy Tale A. Carter's Inclusive Definition of the Fairy Tale B. Fairy Tale as a Multi-layered Discourse C. Carter's Fairy Tale--a Feminist Discourse III. Subject A. Definition of Subject B. Definition of the Female Subject C. Postmodernist Debates on Subject IV. Body A. Body in the Western Metaphysical Tradition B. Michelle Foucault: Body as the Site of Power and Resistance C. Feminist Appropriations of Foucault's Theory Chapter Two Disrupting the Submissive Female Subject: Body as the Site of Power I. Objectified and Fetishized Body A. The Objectified Body under "the Eye of Power" in "The Snow Child" B. The Cinematic Fetishization of the Body in The Passion of New Eve II. Imprisoned Body A. Carter's Sleeping-Beauty Stories III. Disciplined and Exploited Body A. The Magic Toyshop IV. Violated and Afflicted Body A. Sadism in "The Bloody Chamber" B. Rape in "Leda and the Swan" V. "Gender Trouble" A. The Transformations of Evelyn and Tristessa in The Passion of New Eve Chapter Three Reconstructing a More Autonomous Female Subject: Body as the Site of Resistance I. Alternative Body against the Patriarchal Aesthetics A. Nights at the Circus II. Violence and Murder as Resistance A. Lizzie Borden's Parricide in "Fall River Axe Murders" B. Doll's Revenge in "The Loves of Lady Purple" III. Self. commodification as Resistance A. Self-commodification in "The Courtship of Mr Lyon" and "The Tiger's Bride" B. Seller and Commodity in One in "Black Venus" IV. Autonomous Female Desire A. "The Company of Wolves" V. Maternal Body in Power A. Mother Goddess in the Passion of New Eve Conclusion Appendix: Source Texts for Carter's Revised Texts Works Cited

本书试用福柯的身体与主体，权力与抵抗理论阐释卡特童话反写作品的主题，从而重新审视这些作品的女性主义价值。本论文的中心观点是卡特的反写是以身体为视角，以主体探求为目的的双重结构：一方面揭示了经典文本中父权通过规训、惩罚、自我监视等身体手段塑造驯顺女性主体的过程；另一方面通过对叛逆女性的积极描写为女性在现有权力关系中通过身体寻求主体性提供可能。本书还将用福柯任何抵抗都只能来源于权力内部的观点解释卡特作品中存在的含混，并得出结论——卡特的童话反写从总体来说是女性作家在话语领域对以父权为主导的权力关系的抵抗。