悲剧的诞生·偶像的黄昏

INTRODUCTION

THE BIRTH OF TRAGEDY

THE BIRTH OF TRAGEDY

TWILIGHT OF THE IDOLS

PREFACE

MAXIMS AND ARROWS

THE PROBLEM OF SOCRATES

"REASON" IN PHILOSOPHY

HOW THE "TRUE WORLD" FINALLY

BECAME A FABLE

MORALITY AS ANTI-NATURE

THE FOUR GREAT ERRORS

THE "IMPROVERS" OF MANKIND

WHAT THE GERMANS LACK

SKIRMISHES OF AN UNTIMELY MAN

WHAT I OWE TO THE ANCIENTS

THE HAMMER SPEAKS

NIErZSCHE found in classical Athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. Nietzsche discusses the history of the tragic form and introduces an intellectual dichotomy between the Dionysian and the Apollonian. Nietzsche claims life always involves a struggle between these two elements， each battling for control over the existence of humanity.
Twilight of the Idols was written in just over a week. As Nietzsche's fame and popularity was spreading both inside and outside Germany， he felt that he needed a text that was a short introduction to his work; Twilight of the Idols is his attempt at this，

《悲剧的诞生》是尼采的第一部较为系统的哲学和美学著作，他从希腊民问传说中的酒神崇拜和日神崇拜的爿俗中找到了开启希腊占典悲剧、艺术及民族精神的钥匙，以哲学的激情和恢宏的气势阐释了艺术的起源、本质及功用，文风犀利，说理透辟，足学界和一般读者最喜爱的一部尼采的著述。《偶像的黄昏》是尼采仅用一周的时间完成的，作者采用反题、颠倒、佯谬等手法打破僵死的思维模式，发见真理，在新生与没落、价值颠倒与价值确立等方面给读者以启迪，与《查拉图斯特拉如是说》、《快乐的科学》等著作无可争议地成为了当代西方哲学的嚆矢。