安吉拉·卡特的小说对表现论的颠覆

Abstract

Introduction

1.Angela Carter's Literary Creation

2.Literature Review

3.Theoretical Basis for the Research

4.Framework of the Book

Chapter One Subversion of Reality:The Metafictional Reality

1.Nebulous Time

2.Reality as Cyborgs

3.Reality Reconstructed by Feminine Narratives

Chapter Two Subversion of the Stereotyped Womanhood:From Virgin Whore to Winged Victory

1.The Passive, Static Female Images

2.From the Whore to the Angry Woman

3.The Bird Woman:A New Woman in the New Century

Chapter Three Subversion of Male Subjecthood:From the Desirer to the Lover

Abstract

Introduction

1.Angela Carter's Literary Creation

2.Literature Review

3.Theoretical Basis for the Research

4.Framework of the Book

Chapter One  Subversion of Reality:The Metafictional Reality

1.Nebulous Time

2.Reality as Cyborgs

3.Reality Reconstructed by Feminine Narratives

Chapter Two  Subversion of the Stereotyped Womanhood:From Virgin Whore to Winged Victory

1.The Passive, Static Female Images

2.From the Whore to the Angry Woman

3.The Bird Woman:A New Woman in the New Century

Chapter Three  Subversion of Male Subjecthood:From the Desirer to the Lover

1.The Male Subjeethood of Infernal Desire

2.From the Subject of Desire to the Desired Object

3.The Lover: Construction of the New Male Self

Conclusion

Bibliography

英国作家安吉拉·卡特在她的文学创作中致力于挑战传统的二元对立的两性关系。本书选取卡特的三部作品《霍夫曼博士的邪恶欲望机器》（1972），《新夏娃的激情》（1979）和《马戏团之夜》（1982），探讨卡特怎样通过在作品中对现实和男性/ 女性的主体性进行消解和重建，以体现其对父权制所定义的两性关系进行质疑和重建的主张。